{"id":5433,"date":"2016-01-28T16:05:17","date_gmt":"2016-01-28T15:05:17","guid":{"rendered":"http:\/\/lucidrealities.studio\/?p=5433"},"modified":"2019-12-19T17:35:59","modified_gmt":"2019-12-19T16:35:59","slug":"challenges-the-enemy-la-revolution-virtuelle-du-documentaire","status":"publish","type":"post","link":"https:\/\/lucidrealities.studio\/index.php\/2016\/01\/28\/challenges-the-enemy-la-revolution-virtuelle-du-documentaire\/","title":{"rendered":"Challenges | The Enemy, la r\u00e9volution virtuelle du documentaire"},"content":{"rendered":"

\"\"<\/p>\n

Emissive, soci\u00e9t\u00e9 de production de contenus immersifs, pr\u00e9sentait \u00e0 la presse des premiers extraits de The Enemy<\/a>, un des premiers documentaires \u00e0 gros budget pour casques de r\u00e9alit\u00e9 virtuelle. Une piste future qu\u2019explorent les cha\u00eenes de t\u00e9l\u00e9vision.<\/p><\/blockquote>\n

France T\u00e9l\u00e9visions est en train de coproduire The Enemy<\/a>, un ambitieux documentaire journalistique en r\u00e9alit\u00e9 virtuelle. Un prototype \u00e9tait d\u00e9voil\u00e9 \u00e0 la presse par la soci\u00e9t\u00e9 de production Emissive.<\/p>\n

Une exp\u00e9rience journalistique, un r\u00e9cit de guerre susceptible de vous prendre aux tripes. Car la r\u00e9alit\u00e9 virtuelle permet d’innover dans la narration: le spectateur peut p\u00e9n\u00e9trer directement dans l’\u00e9v\u00e9nement. Muni d’un casque de r\u00e9alit\u00e9 virtuelle \u00e9quip\u00e9 de capteurs, un joystick de jeu vid\u00e9o en main, on \u00e9volue dans une pi\u00e8ce, et on \u00e9coute les protagonistes d’une guerre. Les sc\u00e9narios du documentaire portent sur plusieurs conflits au long cours: la guerre Isra\u00ebl-Palestine, le Congo, et un troisi\u00e8me sc\u00e9nario sera consacr\u00e9 au conflit du Salvador ou de la Cor\u00e9e.<\/p>\n

A l’origine du projet, le photojournaliste Karim Ben Khelifa, membre invit\u00e9 depuis 2013 du prestigieux Massachussets Institute of Technology. Pour ce documentaire, il a tourn\u00e9 ses interviews sur place, “puis nous avons remod\u00e9lis\u00e9 les personnages, pour les int\u00e9grer avec leurs t\u00e9moignages en voix off dans la vid\u00e9o”, r\u00e9sume Fabien Barratti, cofondateur de Emissive.<\/p>\n

Les personnages nous parlent de qui est leur ennemi, pourquoi ils font la guerre et comment ils voient leur avenir. “On est entre deux t\u00e9moins, deux combattants, on \u00e9coute leurs histoires, leurs arguments, \u00e0 son rythme. L’id\u00e9e \u00e9tait de cr\u00e9er une rencontre humaine avec des gens que l’on n’a pas l’habitude d’entendre”, explique Antonin Lhot, chef de projet web du d\u00e9partement Nouvelles \u00e9critures France T\u00e9l\u00e9visions.<\/p>\n

Un budget de 1,6 million d’euros<\/h4>\n

“Le projet est un prototype, un test de ce qu’on peut raconter comme histoire \u00e0 l’\u00e8re de la r\u00e9alit\u00e9 virtuelle. L’installation a vocation \u00e0 tourner dans les pays concern\u00e9s, et dans les \u00e9coles et lieux publics”, poursuit-il. Il faudra attendre fin 2016 pour pouvoir exp\u00e9rimenter le concept.<\/p>\n

Assur\u00e9ment, il pr\u00e9figure de nouvelles formes d’\u00e9criture pour les documentaires, alors que les premiers casques de r\u00e9alit\u00e9 virtuelle (tels le Oculus VR, le Playstation VR de Sony, le Vive de HTC associ\u00e9 \u00e0 Valve), sont attendus pour le premier semestre 2016.<\/p>\n","protected":false},"excerpt":{"rendered":"

Emissive, soci\u00e9t\u00e9 de production de contenus immersifs, pr\u00e9sentait \u00e0 la presse des premiers extraits de The Enemy, un des premiers documentaires \u00e0 … <\/p>\n

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